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A
coin legend, from the Latin "legenda" meaning "the things
that must be read," is any writing or lettering that appears on a coin.
When appearing on ancient coins, particularly those of the Romans, lettering is
often used to clarify some of the iconography, to identify a figure (often a
deity) that the coin portrays, or to make a reference either to the officials
in charge of coinage or to the political families which the officials
supported. Often words and letters are used to commemorate certain political
events, such as military victories or major events in a politician's
career; the phrases employed to depict such events typically are idealized in
order to portray the events in the most favorable manner to Rome or the
specific individual. The coin legend, together with the coin type, serves a
variety of purposes which shift throughout the development of coinage;
beginning with the earliest coinage of Greece and moving through the Republican
and Imperial coinages of Rome, coin legends serve to explicate, commemorate,
represent, and portray many of the most notable figures and events of the
ancient world.
Earliest examples of coins contain phrases or words generally devoid
of political significance or insinuated political messages. These
coins primarily contained words which identified either the figure
depicted on the coin or the name of the issuing state. In early
Greek coinage, the legend would commonly include letter abbreviations
to denote the city-state that produced the coin. This facilitated
coin identification and endowed the coin with greater value by backing
the coin with the state authority. This use of the legend for identification
purposes was continued in Macedon under the rule of Alexander the
Great: often staters were marked with the legend "of King Alexander."
Similarly, in early Roman coinage, coins would bear the mark of
"ROMA" or "ROMANORUM," identifying either the Goddess Roma who was
pictured on the coin, or the authority "of the Roman people." Along these same lines, Roman mints later adopted the practice of striking
the name of the ruling Emperor (or ruler) on the coins; this practice
was useful both in ancient and in modern times since, in ancient
times, it provided a mark of the authority who backed the coin,
ensuring the coin's value; in the present day, the practice is highly
useful in placing the coin within a historical period. By having
a chronological sequence of Emperors marked in the coin legends,
the process of referencing the coin's circulation is greatly facilitated. As coinage developed, particularly in Rome, the state began to strike coins
with more elaborate types, often depicting major political events,
or subjects of frequent political discourse. For example, during
the reign of Sulla, coins portray "Sulla as triumphator" (Howgego
68) and "display his equestrian statue labeled L. SULLA FELIX DIC(TATOR)"
(Howgego 68), literally "Sulla, Happy Dictator." Types such as these
are generally accompanied by a legend, both to identify the individual
pictured and to help clarify the type's significance. More complex
types, which might portray delicate political situations, almost
always contained a legend which helped to color the coin's message;
often coins were struck with the intention of portraying political
events in a light more favorable to the state. For example, in Macedon,
"when Philip was forced to buy off the Persians in AD 244 it was
presented as the establishment of peace, "PAX FVNDATA CVM PERSIS"
(Howgego 72).
Coins often
portrayed common themes which generally mirrored the concerns and topics of
Roman literature: typical themes included Victory, Peace, the Roman people, and
especially liberty. "Libertas," or liberty, was a predominant
element in Roman coinage, as is illustrated in one instance by the coinage of
Galba After Galba had marched against Nero, the coinage of Galba contained the
legend "LIBERTAS P(OPVLI) R(OMANI) RESTITVTA," indicating that
"the liberty of the Roman people had been restored" (Howgego 73).
In this instance, the depiction of the restoration of liberty seeks to show the
"justification of tyrranicide" (Howgego 73) due to Nero's
obstruction of liberty, thus coloring the event to suit political sentiment.
The theme of liberty also appeared on the coins of Augustus, dubbing him
"'champion of the liberty of the Roman people' (Libertatis
P(opuli) R(omani) Vindex) on coins of 28 BC" (Howgego 76). The Senate and
People of Rome (SPQR) also receive credit as the "ADSERTORI" of
liberty "from the coins of Vespian struck in AD 71 with the inscription
SPQR ADSERTORI LIBERTATIS PVBLICAE" (Howgego 76).
The legends of ancient coins typically reflect the most prominent
values, events, and figures of the coining state. This is apparent
particularly in Roman coins, where themes of victoritas and
libertas, as well as the names of important individuals,
often appear. A coin legend is immensely helpful in identifying
the state to which the coin belongs, the historical significance
of the type, and the general significance of the coin. As coinage
developed, the legend became even more critical to the process of
uncovering the political innuendoes and messages hidden within the
imagery of the coin. The legend, together with the coin type, is
essential, for it reveals the mythology, the beliefs, the history,
and the values of the state.
WORKS CITED
Howgego, Christopher. Ancient
History from Coins. Routledge; New York, NY: 1995.
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